libi rose striegl: “Magic Glowing Rectangles”
We invited artists from Duke’s MFA EDA community to share work they have made in response to the coronavirus crisis. See the full “Home & Away” collection here. Artist’s Reflection I ...
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We invited artists from Duke’s MFA EDA community to share work they have made in response to the coronavirus crisis. See the full “Home & Away” collection here. Artist’s Reflection I ...
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We invited artists from Duke’s MFA EDA community to share work they have made in response to the coronavirus crisis. See the full “Home & Away” collection here. Artist’s Reflection We ...
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We invited artists from Duke’s MFA EDA community to share work they have made in response to the coronavirus crisis. See the full “Home & Away” collection here. Artist’s Reflection We ...
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We invited artists from Duke’s MFA EDA community to share work they have made in response to the coronavirus crisis. See the full “Home & Away” collection here. Artist’s Reflection Some ...
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We invited artists from Duke’s MFA EDA community to share work they have made in response to the coronavirus crisis. See the full “Home & Away” collection here. Artist’s Reflection I ...
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We invited artists from Duke’s MFA EDA community to share work they have made in response to the coronavirus crisis. See the full “Home & Away” collection here. Artist’s Reflection My ...
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We invited artists from Duke’s MFA EDA community to share work they have made in response to the coronavirus crisis. See the full “Home & Away” collection here. Artist’s Reflection Windows ...
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We invited artists from Duke’s MFA EDA community to share work they have made in response to the coronavirus crisis. See the full “Home & Away” collection here. Artist’s Reflection Even ...
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We invited artists from Duke’s MFA EDA community to share work they have made in response to the coronavirus crisis. See the full “Home & Away” collection here. Artist’s Reflection When ...
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We invited artists from Duke’s MFA EDA community to share work they have made in response to the coronavirus crisis. See the full “Home & Away” collection here. Artist’s Reflection Masks ...
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We invited artists from Duke’s MFA EDA community to share work they have made in response to the coronavirus crisis. See the full “Home & Away” collection here. Artist’s Reflection Learning ...
More InfoWe invited artists from Duke’s MFA EDA community to share work they have made in response to the coronavirus crisis. See the full “Home & Away” collection here. Artist’s Reflection The ...
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A program designated for designers, engineers and sustainability advocates searching for ways to expand model-making techniques and carpentry skills with bamboo.
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Nathan Borradaile Wright’s thesis Miscellaneous Earth is a multichannel video installation exploring our spatial and technological dissociation from the landscape of collective memory.
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Using augmented and virtual reality, animation, and mining archival footage from Black media, Ivy Nicole-Jonét's thesis Ode (Owed) to Black Womxn creates an Afrofuturistic world centered on an immersive, documentary experience that celebrates Black womxn.
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Lily Frame's multimedia installation Breaking the Rules: A Minor Spatial Inconvenience recreates seclusion and restraint using architecture to speak to an undiscussed social issue: is seclusion the solution or is there a solution to seclusion among our nation’s schools?
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Join us in celebrating the work of this year’s graduating cohort in the MFA in Experimental and Documentary Arts program. Learn more about graduating students' thesis exhibitions, which are on view at Duke and in Durham from March 25 to April 15.
This work is an interdisciplinary installation that focuses on the ways embodied storytelling can function as a historical care practice. This installation aids in the creation of a nonlinear archive based on the stories, memories, and lived experiences of Black folks in America.
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Mario Moore January 16 – March 6, 2022 Mario Moore, a painter recently commissioned by Duke University to paint a portrait of Wilhelmina Reuben-Cooke, will be the artist-in-residence at the Rubenstein Arts ...
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This program brings together works by Pedro Lasch that are as varied as their settings. Projected in large scale at museums and galleries, all works have been meticulously co-edited with Michael Blair to become video art in its own terms—as opposed to simply documenting Lasch’s social and site-specific art.
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Progression through the first level of a self-guided mastery hand knitting program supplemented with short-term correspondence courses.
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The Transfer Station is a documentary photography project that examines what our waste says about who we are as people today. As our society’s waste gets continuously transferred, The Transfer Station addresses the question: where will it all eventually go? What will become of our discarded, once-valuable possessions—and of us?
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This project is a photographic documentation of the unique practice and life of physicians who treat underserved/under-resourced communities with shortages of health care in North Carolina.
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A Fall From Grace is a multimedia project by Zaire McPhearson, MFA EDA '20, that tells the story of single Black women and their children involved in a cult from the mid-1970s through the early 2000s.
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Sinewaves in the Triangle is an immersive multimedia installation that uses technology to express the artistic mind and the creative process to illicit an emotional and physical reaction in the viewer.
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This summer, Lizzy Kramer '22 worked with Durham-born artist John Felix Arnold III on one of his recent installations, “Reimagining Cerberus,” which calls attention to the human impact on climate change. We invited Kramer to share her reflections on the experience, including her belief in the ability of art to pose questions and challenge perceptions.
Over the course of the Spring 2021 semester, visiting artist Carl Pope worked with students to bring “The Bad Air Smelled of Roses” (2004—), his ongoing installation about the presence and function of Blackness in society, to Duke's campus. This silk screen and wheat paste iteration is on view at the Rubix until December 1.
Carl Pope brought his ongoing graphic poster/essay installation “The Bad Air Smelled of Roses” (2004—) to Duke. Pope collaborated with students in Bill Fick’s “Poster Design and Printing” course to complete this iteration of the project.
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Julie Platner's short film ”Third Alternate Executor” explores the life, mortality, and ephemera of her Uncle Kenny, a human deeply entrenched in an eccentric version of normative, white, lower-class social structures. The piece seeks to elaborate on performative masculinity, objecthood, class and the American Dream.
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“Water or More” is an interactive installation that uses facets of water to describe the wide-ranging emotions of human existence, taking inspiration from the reflection of water in literature, poems, and films. The project explores how to optimize space and combine the real and virtual to design an immersive audience experience.
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Archer Boyette’s “we breathe each other in and out of existence” is a multimedia installation that weaves together analog, digital, sculptural, and sonic components to celebrate the magic of plant life and create a space of environmental reverence. All botanicals in the installation were harvested in the Blue Ridge Mountains of North Carolina.
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Yang Xu’s exhibit “Outset” explores her feelings about and understanding of the college entrance examination, which is taken by tens of millions of Chinese students each June. The exam is not only the starting point for students to realize their dreams, but also a battle that requires all-out efforts.
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We showcase the work of this year’s graduating cohort in the MFA in Experimental and Documentary Arts program in this special series of interviews. Fellow artists, MFA EDA alumni, faculty, and mentors interviewed each graduating student about their thesis exhibitions, which are on view at Duke, in Durham, and online May 7 through June 5.
Jayne Yu Wang's “The Unfinished Utopia” is an installation of a fictional city, Fangchuan, at the border of China, Russia, and North Korea. Following a foreign flaneur’s diary, viewers will have the opportunity to explore the city through audio, photography, architectural design, Instagram posts, and ordinary objects in this city.
A Bass Connections team has created an art installation on view in the lobby of the Rubenstein Arts Center. “This project is emblematic of the integrative and synthetic thinking that society needs to tackle the wicked challenges of climate change and sea level,” says Betsy Albright, assistant professor at the Nicholas School.
On March 27, a group of Duke students painted a portrait of their friend, Raj Mehta, a member of the Class of 2022 who passed away in 2020, on the Campus Drive free expression tunnel. We share a statement from Shivam Patel ’22, Raj’s former roommate, about this painted tribute.
The Enviro-Art Gallery is an annual showcase of artwork that aims to bring awareness to environmental issues through visual media. Featuring a monthlong virtual gallery of over 600 works and 15 speaker sessions from April 5 to 10, students Cameron Oglesby and Isabel Wood share how this year's showcase has expanded in spite of the pandemic.
A new book co-edited by Miguel Rojas Sotelo, adjunct professor and event coordinator at the Center for Latin American & Caribbean Studies at Duke, is the first to put Sergio Sánchez Santamaría in context. On March 24, a panel conversation featuring the artist, celebrates the first edition release.
Yng-Ru Chen ’01, owner of Praise Shadows Art Gallery in Boston, MA, is presenting an exclusive virtual preview of the new exhibition, “Memento Mori,” on March 11. Ahead of the event, Chen connected with her former professor, Gennifer Weisenfeld, to reflect on their initial meeting at Duke and Chen's journey into the art world.
Fifty years after its conception, late photographer William Gedney’s “A Time of Youth” has been published by Duke University Press in conjunction with the David M. Rubenstein Rare Book & Manuscript Library. Lisa McCarty ‘13, an alumna of Duke University’s MFA in Experimental and Documentary Arts, edited the book.
La Colombe Contemporary Glasswork is a homegrown fused glass studio born out of the pandemic. We catch up with Alex Sanchez Bressler '18, formerly arts administration fellow for Duke Arts, to learn about this family business.
Antoine Williams used the Rubix as canvas for his work “Othered Suns,” a wheat paste and sound installation. Williams is a mixed-media artist and educator who uses art to explore his cultural identity.
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Clay Sanders, who received a PhD in civil engineering from Duke in 2020, currently has a painting depicting a dance rehearsal on display in the Rubenstein Arts Center. He shares how making art has helped his career as an engineer and provided him with an outlet during difficult times.
Gary Yeh '17 is founder of ArtDrunk, which now has a weekly newsletter that aims to make it easy and fun to learn about contemporary art. We share his interview with the Duke student publication FORM Magazine.
Meet North Carolinian artist Antoine Williams, creator of a wheat paste and sound installation on a new temporary structure for public art behind the Rubenstein Arts Center.
William Paul Thomas is an artist based in Durham. He taught at Duke in 2017-2018 as the Brock Family Visiting Instructor in Studio Arts, was in residence at the Ruby in 2019, and frequently leads workshops with the Nasher Museum of Art and DukeCreate. In this profile, junior Dani Yan digs deeper into the "magnetic" portraits in Thomas's Cyanosis series.
New books by Richard Powell and Tom Rankin are available at independent Durham businesses—just in case you're beginning to think about holiday shopping.
Sofia Zymnis '21 shares a project started as a pseudo-autobiographical documentation of her own experience during lockdown that has now developed into a constantly-growing website, inviting people to share their own balcony community in order to grow a shared virtual one.
A visual arts series based on my experience during the difference stages of 2020 through different media.
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I spent the summer producing art alongside fifteen other artists at HART Haus, a Hong Kong-based shared studio space.
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Before the pandemic shut everything down, visiting artist John Felix Arnold was working with students to create a conceptual portrait of Durham—his hometown—in the Ruby.
Bill Fick shares his recent political prints, which you might also spot in and around Durham. Fick is assistant director of visual and studio arts for the Rubenstein Arts Center and lecturing fellow in the Department of Art, Art History and Visual Studies.
Beverly McIver was asked to participate in political public art project led by People for the American Way, and it sparked a series of directly political paintings. McIver is Professor of the Practice in Duke's Department of Art, Art History and Visual Studies.
Meet Detavio Samuels, Duke '02 and the newest COO of Sean "Diddy" Combs' REVOLT TV, leading the way for social justice, journalism, and hip-hop.
The Campus Center Arts Committee is now accepting submissions for 2020-2021 rotating exhibits in a variety of spaces, including the Brodhead Center Café Gallery, galleries at the Center for Multicultural Affairs and Student Wellness, and the Louise Jones Brown Gallery.
We invited artists from Duke’s MFA EDA community to share work they have made in response to the coronavirus crisis. See the full “Home & Away” collection here. Artist’s Reflection It’s ...
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Where can your passion in the arts take you at Duke? Meet rising junior Sarah Yu, who is busy developing her interests in illustration into a possible long-term career.
Bruzelius, a world-renowned expert on medieval architecture and Duke's Anne Murnick Cogan Professor Emerita of Art and Art History, is among 34 new members this year.
Iliana Sun uses documentary storytelling to make complex issues in conservation biology relatable. Her MFA thesis exhibition chronicles the web of relationships and competing interests surrounding the vaquita porpoise, making it clear that saving an endangered species is only partly about the animal.
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Duke faculty teaching visual arts, music, and theater share how they navigated the move to online teaching. It wasn’t easy. Supplies were mailed, collaborative projects were reinvented. Transformations and solutions discovered this spring have expanded the teaching repertoire—even as we look forward to safely returning to studio and stage.
Sophia Li shares her final photography project, "Food for Trash"—created for the course Ways of Seeing: Storytelling through Photography with Professor Charlotte de la Fuente Nørregaard (DIS Copenhagen)—which meditates on the meaning of food scraps during the coronavirus crisis.
"Want to learn how to edit in Adobe Premiere? Make films from the comfort of your living room?" Browse Summer Session courses in the documentary arts (camera not always required)!
Students share their Visual Arts capstone projects online in lieu of a physical exhibition.
“The radical nature of art, at least the truth of it that I have come to embrace, is its capacity for care, empathy, reciprocity, invitation and correspondence with others.”—Dario Robleto, artist based in Houston and member of the Nasher Museum’s Board of Advisors. The global pandemic reminds Robleto of his early years as an artist, when social distancing, seclusion and self-reflection came naturally to him.
Brock Family Visiting Instructor in Studio Arts Stephen Hayes has two new public monument commissions: a marker for the Chapel Hill Nine in Chapel Hill, and a sculpture honoring the Fifth Regiment of the United States Colored Troops in Wilmington, NC—recently featured in The New York Times.
A sculpture made by Susan Hynes '19 inspired by an Entomology course travels from the Rubenstein Arts Center to Durham's Museum of Life + Science.
As DukeCreate explores remote arts tutorial opportunities with its instructors, we offer this look back at how the series has developed since its founding. "We started thinking about how we could bring more structure and more mentoring, but keep flexible access and non-judgmental engagement with the arts. And that is really the origins of DukeCreate," shared Vice Provost for the Arts Scott Lindroth.
Apply to be an artist-in-residence at the Power Plant Gallery at Duke this summer. Deadline to apply is March 15, 2020.
Submit your art to be a part of DUU Visarts' Annual Spring Student Showcase! Submissions due March 1, 2020.
A new exhibition blending art and science opens at Duke Libraries later this week and features the work of Dave and Jane Richardson.
Join Campus Center Art for a reception celebrating artist John Tempest on Friday, Jan 24, from 5:30-7:30pm in the Bryan Center. Tempest will be installing a large scale painting dedicated to his late father and a portrait.
The Rubix is a temporary experimental structure created for visual and installation art research. Faculty in the Department of Art, Art History and Visual Studies are exploring the question: What is public art and how is it made? Future projects in and on this structure will attempt to answer this question.
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This project explores the enigmatic relationship between the artist and Viola McCoy, an unrelated woman whose 1930s photograph came into her possession and captivated her several years ago.
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Applications will be reviewed on a rolling basis, write duuvisarts@gmail.com for more info and to apply.
In this interview with Kay Young (B.S.E.'84, M.D.'90), we learn what inspired her to fund grants to support creative projects engaging scientific ideas.
Vonnie Quest is an interdisciplinary documentary artist from Milwaukee, WI, whose work weaves together family history, Afro-surrealism, and speculative fiction. As Vonnie seeks to piece together details of his grandmother’s life while in residence at the Power Plant Gallery, he is also reimaging new memories and alternative futures.
This immersive installation incorporating sound, photography, and video brings twenty-five years of award-winning ethnomusicological fieldwork in South Africa to life.
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Living Invisible is a multimedia project exploring what it is like to live with a chronic—but invisible—illness at Duke. Alexandra Bateman (T' 19) discusses her senior capstone project, which is on view in the Ruby through May 12.
When Pedro Lasch's massive sculptural project for Mexico City's main square hit a dead end, he thought that was the end of the story. Twenty years later, Lasch used the Ruby makerspace to create a smaller architectural model of what he once envisioned for that project. Read on to learn his take on this experience and to hear his thoughts on the arts at Duke.
This life-sized dome was designed to serve as a meditative space for students, faculty and members of the wider community. This installation was designed and built by undergraduate Kora Kwok (Trinity, ’20), who is exploring how art spaces can foster human connections.
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The Praxis of Material Culture Research.
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Layers of Dreamscapes reimagines how we can be immersed in a piece of art by adding a new physical dimension to one of the most popular and oldest subjects of paintings: the landscape.
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Sujal Manohar (Class of 2020) is a double-major in neuroscience and visual arts. An exhibit of her drawings in the Wellness Center Art Gallery proves the two fields are not as far apart as one might think.
Created in the Ruby through an arts project residency, this new mural honoring farmworkers past, present, and future will be replicated and displayed outdoors at the Duke Campus Farm.
Virtual reality is often associated with gaming and entertainment. In this piece, Mark Steelman, the president of Duke's VR club, talks about the limitless possibilities that virtual reality offers—including in the arts.
"The mural at Duke was defaced...because it made people aware that there is a vibrant and powerful Latinx community in the university and the area," notes Dr. Márquez, a Romance Studies Professor at UNC. Duke Arts explores how Duke students and community members used visual art to protest the defacement of a Latinx Heritage mural on East Campus.
Get to know Dare Coulter, a Triangle-based artist, sculptor, and muralist who combines distinct aspects of color, culture, and creativity to re-imagine communities of color in joyous and powerful spaces. "The reason that I paint what I paint is that I need people to be in it. It has to be people."
Christopher Lam, engineer and watercolorist, will use his residency at the ruby to engineer a 21st-century form of watercolor expression that is three-dimensional and interactive like a pop-up book.
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The Rubenstein Arts Center hosted two visiting artists in September and October as part of Visionary Aponte: Art & Black Freedom, an exhibition on view at the Power Plant Gallery through November 17, 2018.
Meet Durham-born artist and Duke Visiting Instructor Stephen Hayes in this "People of Duke Arts" interview. "My number one goal is to wow my audience and to have meaning behind it—to have people relate to my work or even just start a conversation," explains Hayes.
Empowerment through the integration of innovative new women's health technologies, visual arts, and story-telling.
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During his #PPGArtists residency this summer, Durham-based painter Anthony Patterson is documenting black lives entangled in a system that's "set up for you to fail."
A six-week residency at the Power Plant gallery allows Durham artist Rachel Goodwin to think big while inviting the public to follow along with her work in baubles, beads, and hanging trees.
Art objects and furniture made from man-made, non-recyclable trash bring disposed items back to use in a new context.
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A student-to-student interview with Jeainny Kim, recipient of the Sudler Prize and the Mary Duke Biddle Foundation Award at this year's Arts Awards.
The Power Plant Gallery is pleased to announce our #PPGArtists for summer 2018. Joining us for Residency 1 is Durham artist Rachel Goodwin, and for Residency 2, Durham native, Anthony Patterson.
As part of a Duke Performances residency for the dance theater piece she created with Dance Heginbotham, the acclaimed illustrator exercised the storytelling skills of Duke's drawing students.
The Franklin Humanities Institute's Social Practice Lab is supporting Create, Innovate, Act!, a Spring 2018 course taught in the Ruby by Pedro Lasch.
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Bill Thelen's installation for the Ruby's grand opening will expand—quite literally!—on his memento of the Biscuit King, an old Durham landmark.
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"Cornered" is an art installation using video projections to express the hopes and hardships of African migrants.
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Duke student of environmental studies will join peripatetic artist Torkwase Dyson in community-based project.
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