Category: Uncategorized

Artists as Researchers: Brittany J. Green Is Disrupting Classical Composition

For this installment of our “Artists as Researchers” series, we profile Brittany J. Green, a Ph.D. student in music composition and the current director of the Duke New Music Ensemble. She worked with the Atlanta Symphony Orchestra to record her latest orchestral work, “Against/Sharp,” which explores the relationship between music and Black feminist theory; it will premiere online in January 2022.

Bridging the Gap Between Medicine and the Arts

Morgan Biele '23 shares a piece she wrote for Duke Medical Ethics Journal, an undergraduate-led publication that features students' voices in blogs and articles that center ethics in dialogue with medicine. “I’m extremely passionate about how art depicts health and well-being, and in turn how health and well-being inform art,” Biele shares.

New Support for Community-Led Arts Projects

For the 2021-22 Doing Good grant cycle, Duke Arts is partnering with the Office of Durham and Community Affairs to support community-led art projects that have a positive impact on Duke’s fourteen partner neighborhoods.

In Scott Lindroth’s New Musical Work “T120,” the Extraordinary Meets the Mundane

Professor of music Scott Lindroth, whose new work ”T120” will premiere this Saturday, Oct 9 in Baldwin Auditorium, shares his thoughts on music-making during the pandemic and the long-awaited return to live, in-person performances. “I think it's heightened emotions for all of us in the performing arts to be able to be back on stage again, realizing how special that ritual is,” he shares.

Organizing Against Climate Change Through Sustainable Art

This summer, Lizzy Kramer '22 worked with Durham-born artist John Felix Arnold III on one of his recent installations, “Reimagining Cerberus,” which calls attention to the human impact on climate change. We invited Kramer to share her reflections on the experience, including her belief in the ability of art to pose questions and challenge perceptions.

Artists as Researchers: Dancing Through STEAM

Three Duke alumnae share how they split their time at Duke between rigorous science courses and a steadfast passion for dance. “When I got to college, it wasn’t really a question of whether or not I would continue to dance as I pursued a career in medicine,” Gabby Cooper '20 said. “It was how I could make both of them work.”

MFA in Experimental and Documentary Arts Class of 2021

We showcase the work of this year’s graduating cohort in the MFA in Experimental and Documentary Arts program in this special series of interviews. Fellow artists, MFA EDA alumni, faculty, and mentors interviewed each graduating student about their thesis exhibitions, which are on view at Duke, in Durham, and online May 7 through June 5.

Jayne Yu Wang MFA EDA ‘21: “The Unfinished Utopia”

Jayne Yu Wang's “The Unfinished Utopia” is an installation of a fictional city, Fangchuan, at the border of China, Russia, and North Korea. Following a foreign flaneur’s diary, viewers will have the opportunity to explore the city through audio, photography, architectural design, Instagram posts, and ordinary objects in this city.

Spectral Seas: Tackling Climate Change Through Storytelling

A Bass Connections team has created an art installation on view in the lobby of the Rubenstein Arts Center. “This project is emblematic of the integrative and synthetic thinking that society needs to tackle the wicked challenges of climate change and sea level,” says Betsy Albright, assistant professor at the Nicholas School.

A Painted Tribute for Raj Mehta

On March 27, a group of Duke students painted a portrait of their friend, Raj Mehta, a member of the Class of 2022 who passed away in 2020, on the Campus Drive free expression tunnel. We share a statement from Shivam Patel ’22, Raj’s former roommate, about this painted tribute.

In Its Fifth Year, the Enviro-Art Gallery Goes Global (and Virtual)

The Enviro-Art Gallery is an annual showcase of artwork that aims to bring awareness to environmental issues through visual media. Featuring a monthlong virtual gallery of over 600 works and 15 speaker sessions from April 5 to 10, students Cameron Oglesby and Isabel Wood share how this year's showcase has expanded in spite of the pandemic.

“Graphic in Transit” Honors Mexico’s Finest Printmaker

A new book co-edited by Miguel Rojas Sotelo, adjunct professor and event coordinator at the Center for Latin American & Caribbean Studies at Duke, is the first to put Sergio Sánchez Santamaría in context. On March 24, a panel conversation featuring the artist, celebrates the first edition release.

“Big Night In” to Support Regional Arts Councils

Big Night In for the Arts, broadcast live on WRAL-TV on March 11, will raise funds to support the COVID relief work of four local arts councils. Duke Arts and Duke’s Office of Durham and Community Affairs are event sponsors. Join the performance and consider supporting our regional cultural ecosystem.

Behind-the-Scenes of the Hayti Heritage Center

Multy Oliver ‘21 began interning with the Hayti Heritage Center last summer and loved the experience so much she continues to support programs remotely. In honor of the upcoming Hayti Heritage Film Festival, we invited Oliver to share her experience with one of Durham's leading arts non profit organizations.

At the Intersection of Art and Science

Clay Sanders, who received a PhD in civil engineering from Duke in 2020, currently has a painting depicting a dance rehearsal on display in the Rubenstein Arts Center. He shares how making art has helped his career as an engineer and provided him with an outlet during difficult times.

Blurring the Lines: Collective Resonance During COVID-19

Courtney Liu '13, MFA in Dance '21, shares "Blurring the Lines" created with undergraduate students in Intermediate Ballet. "Creative projects are still being made and it is more important than ever to share, engage with, and celebrate each other's work," shares Emma Geiger, MFA EDA '22, who collaborated on filming and editing.

Gianluca Corinaldesi: Art in Our COVID Life

Gianluca Corinaldesi started his position at Duke just three weeks before COVID stay at home orders. Learning to play the piano with his sons has brought joy to the Corinaldesi family home. "[It] puts me in a good mood like few other things," he reflects.

William Paul Thomas: Black & Blue

William Paul Thomas is an artist based in Durham. He taught at Duke in 2017-2018 as the Brock Family Visiting Instructor in Studio Arts, was in residence at the Ruby in 2019, and frequently leads workshops with the Nasher Museum of Art and DukeCreate. In this profile, junior Dani Yan digs deeper into the "magnetic" portraits in Thomas's Cyanosis series.

Sofia Zymnis ’21: Virtual Balconies

Sofia Zymnis '21 shares a project started as a pseudo-autobiographical documentation of her own experience during lockdown that has now developed into a constantly-growing website, inviting people to share their own balcony community in order to grow a shared virtual one.

Beverly McIver is Painting Politics

Beverly McIver was asked to participate in political public art project led by People for the American Way, and it sparked a series of directly political paintings. McIver is Professor of the Practice in Duke's Department of Art, Art History and Visual Studies.

Denise Allen: “My Son Matters”

Freelance and documentary photographer Denise Allen shares "My Son Matters," a photography exhibit comprised of portraits of African-American parents with their sons with accompanying statements. Allen created this exhibit to elevate and honor the relationship between African-American mothers and their sons while shining a loving light on the young men whose existence is often stigmatized.

Barbara Dickinson: “Why Dance?”

"Dance reminds you and teaches you the infinite nuances of life.  Excitement and joy in life is not limited to the big bangs, the major earthquakes; it is also the light brush of grief or the gentle awareness of beauty.  Dance can teach, or reteach, us what that means," says Barbara Dickinson, Emerita Dance Faculty.

How Do You Teach Art & Collaborate Remotely?

Duke faculty teaching visual arts, music, and theater share how they navigated the move to online teaching. It wasn’t easy. Supplies were mailed, collaborative projects were reinvented. Transformations and solutions discovered this spring have expanded the teaching repertoire—even as we look forward to safely returning to studio and stage.

Sophia Li ’21: “There is Art All Around Us”

Sophia Li shares her final photography project, "Food for Trash"—created for the course Ways of Seeing: Storytelling through Photography with Professor Charlotte de la Fuente Nørregaard (DIS Copenhagen)—which meditates on the meaning of food scraps during the coronavirus crisis.

2020 Heid Studio Recital

Students in David Heid's piano studio recorded their recital pieces from their homes due to COVID-19 distancing measures, the resulting video is a virtual recital bringing these separate pieces together.

James Budinich: Artistic Collaboration Across Distance

James Budinich, a PhD candidate in Music Composition, is giving a talk with his artistic collaborator, Gabrielle Lamb, on creating work together, from a distance. James reflects on the strategies that helped them produce Plexus: a work in knots, "strategies that can benefit all artists in our post-COVID reality."

Ashleigh Smith ’20: “Creating is Healing”

Ashleigh Smith, Nasher intern and Duke Class of 2020, was excited to organize a small exhibition at the Nasher Museum this spring. When the museum temporarily closed, she converted the installation to a multimedia online project, which includes a Spotify playlist and podcast episode. An extension of her senior thesis, the project is the product of two years of research.

Dario Robleto: Art is “Compassion, Altruism, and Empathy”

“The radical nature of art, at least the truth of it that I have come to embrace, is its capacity for care, empathy, reciprocity, invitation and correspondence with others.”—Dario Robleto, artist based in Houston and member of the Nasher Museum’s Board of Advisors. The global pandemic reminds Robleto of his early years as an artist, when social distancing, seclusion and self-reflection came naturally to him.

Lana Garland: “A Balm for the Soul”

Lana Garland is a writer, filmmaker, photographer, instructor who shares photographs, writing, and her thoughts on the role of art during this time as part of our "Art and Artists are Essential" collection and invitation.

Durham Medical Orchestra: Music as Prescription

The Durham Medical Orchestra and community musicians collaborated in a virtual performance of a new piece by Durham composer Steven Bryant, sharing music and creativity as an important component to battling stress during the current pandemic.

Sujal Manohar ’20: Reflections on Mental Health at Duke

Sujal Manohar is a senior neuroscience and visual arts double major whose senior Graduate with Distinction project in Visual Arts, Reflect: Mental Health Experiences at Duke, focuses on mental health experiences at Duke. She shares this work with us as part of our "Art and Artists are Essential" collection and invitation.

Oliver Greenwald ’23: Digital Portraits

Oliver Greenwald is a first year studying Computer Science and Visual Arts while pursuing a minor in Psychology and an Innovation & Entrepreneurship certificate. He shares his digital artwork as part of our "Art and Artists are Essential" collection and invitation.

Students Document Sheltering at Home

Instead of documenting Hillsborough, Susie Post-Rust and her Center for Documentary Studies students began documenting their experience of the current pandemic, questioning what it means to “Stay At Home.”

Robin Yeh ’20: Capstone Oil Paintings

Robin Yeh is a senior visual arts major who has completed an independent study and capstone project with Beverly McIver. She shares her artwork as part of our "Art and Artists are Essential" collection and invitation.

John Brown: “The Human Need for Art”

John Brown, director of the Duke University Jazz Program, says: "Remember that art and artists will still be there for us on the other side when we reach that light. Artists need us just as much as we need them."