Named for the weeping willow, Salix Piano Trio shapes Mozart, Brahms, Higdon, Bridge, and Shostakovich into a vivid arc where elegance and intensity meet “fiercely intelligent playing” (The Washington Post).

A standout from Sweden’s chamber scene, Camerata Nordica’s conductor-less octet dives into Mozart, Mendelssohn, and Shostakovich, performing from within the ensemble for a thrilling sense of collaboration and energy.

Awadagin Pratt is one of the most distinctive pianists in American classical music. His program, America 250, traces the breadth of American voices from Florence Price to contemporary composers.

Three brothers and close collaborator, Veit Hertenstein, bring familial chemistry to Haydn, Ives, and Tchaikovsky, pushing each work to its limits with “extraordinary, frightening brilliance” (Bachtrack).

The Ciompi Quartet, Duke University’s resident quartet, play a program rooted in U.S. musical traditions, from Samuel Barber’s powerful String Quartet, Op. 11 to Ben Johnston’s inventive quartet built around the hymn Amazing Grace.

Two-time GRAMMY winners, Pacifica Quartet pairs Beethoven’s expansive Op. 130 with George Walker and Gabriela Lena Frank, placing bold contemporary voices alongside one of the repertoire’s most searching masterworks.

Inspired by M.C. Escher’s interplay of forms, the Escher Quartet joins pianist David Fung for Mozart, Schumann, and Korngold, music rich in dialogue, shifting between intimacy and concerto-like drama.

A self-conducted ensemble redefining classical performance, Sphinx Virtuosi blends Stravinsky, Ravel, and Roberto Sierra with new works in a program shaped by the sounds and stories of America.

Jeremy Denk, one of America’s foremost pianists, pairs Clara Schumann, Amy Beach, and Louise Farrenc with contemporary composers including Tania León and Missy Mazzoli in this wide-ranging recital.