Highlights of the 205-2026 season find the Escher Quartet performing in many of the great venues and organizations in the United States, including Alice Tully Hall, The Morgan Library, Ensemble Music Society Indianapolis, Buffalo Chamber Music Society, Arte Musica Montreal, Clark Library Los Angeles, and the Savannah Music Festival, among others. In addition to their North American engagements, the quartet returns once again to Wigmore Hall for a BBC live broadcast recital as well as other engagements in Germany and continental Europe.

The Escher Quartet has made a distinctive impression throughout Europe, with recent debuts including the Amsterdam Concertgebouw, Berlin Konzerthaus, London’s Kings Place, Slovenian Philharmonic Hall, Les Grands Interprètes Geneva, Tel Aviv Museum of Art, and Auditorium du Louvre. The group has appeared at festivals such as the Heidelberg Spring Festival, Budapest’s Franz Liszt Academy, Dublin’s Great Music in Irish Houses, the Risør Chamber Music Festival in Norway, the Hong Kong International Chamber Music Festival, and the Perth International Arts Festival in Australia. Alongside its growing European profile, the Escher Quartet continues to flourish in its home country, performing at the Aspen Music Festival, Bravo! Vail, Santa Fe Chamber Music Festival, Bowdoin Music Festival, Toronto Summer Music, Cape Cod Chamber Music Festival, OKM Festival, Chamber Music San Francisco, Music@Menlo, and the Ravinia and Caramoor festivals.

The Escher Quartet achieved critical success last season in their performances of the entire cycle of string quartets by Bela Bartok in single concert format, both at Chamber Music Society of Lincoln Center and the Santa Fe Chamber Music Festival. Their Bartok project was featured in the New Yorker in a substantial report by Alex Ross. Recently, the Escher quartet has had successful releases of multiple albums -including string quartets by Pierre Jalbert and the Escher’s studio recording of the complete Janacek quartets and Pavel Haas quartet no. 2 with multi award winning percussionist Colin Currie (BIS Label). Recordings of the complete Mendelssohn quartets and beloved romantic quartets of Dvorak, Borodin and Tchaikovsky were released on the BIS label in 2015-18 and received with the highest critical acclaim, with comments such as “…eloquent, full-blooded playing… The four players offer a beautiful blend of individuality and accord” (BBC Music Magazine). In 2019, DANCE, an album of quintet’s with Grammy award winning guitarist Jason Vieaux, was enthusiastically received. In 2021, the Escher’s recording of the complete quartets of Charles Ives and Samuel Barber was met with equal excitement, including “A fascinating snapshot of American quartets, with a recording that is brilliantly detailed, this is a first-rate release all around” (Strad Magazine). The quartet has also recorded the complete Zemlinsky String Quartets in two volumes, released on the Naxos label in 2013 and 2014.

Beyond the concert hall, the Escher Quartet is proud to announce the creation of a new non profit, ESQYRE (Escher String Quartet Youth Residency Education). ESQYRE’s mission as a non-profit classical music organization is to provide a comprehensive educational program through music performance and instruction for people of all ages. In addition to their non-profit work, the quartet has also held faculty positions at Southern Methodist University in Dallas, TX and the Univerity of Akron, OH.

Within months of its inception in 2005, the ensemble came to the attention of key musical figures worldwide. Championed by the Emerson Quartet, the Escher Quartet was invited by both Pinchas Zukerman and Itzhak Perlman to be Quartet in Residence at each artist’s summer festival: the Young Artists Program at Canada’s National Arts Centre; and the Perlman Chamber Music Program on Shelter Island, NY.

The Escher Quartet takes its name from the Dutch graphic artist M.C. Escher, inspired by Escher’s method of interplay between individual components working together to form a whole.

With a repertoire of over sixty concertos, Mr. Fung is a regular soloist with the world’s premier ensembles including the Cleveland Orchestra, the Detroit Symphony, the Israel Philharmonic, the Los Angeles Philharmonic, the San Francisco Symphony, and the major orchestras in Australia including the Melbourne, Queensland, Sydney Symphony Orchestras, working with conductors such as Marin Alsop, Gustavo Dudamel, Michael Francis, Stanislav Kochanovsky, Lan Shui, and Christian Zacharias. An incisive interpreter of Mozart and Bach, Mr. Fung has collaborated with the Israel, Los Angeles, Melbourne, Orpheus, and Saint Paul Chamber Orchestras, and the Orchestra of St. Luke’s.

He has captivated audiences at such venues as Carnegie Hall, the Kennedy Center, Lincoln Center, the Louvre, Gewandhaus, Palais des Beaux-Arts, and Zürich Tonhalle, as well as the major halls in Asia, including the Beijing Concert Hall, Guangzhou Opera House, Hong Kong Town Hall, Seoul Art Center, Shanghai Oriental Art Center, Taiwan National Concert Hall, and the Tianjin Grand Theater. Notable festival appearances include Aspen, Blossom, Caramoor, Edinburgh, Hong Kong Arts, and Ravinia Festival.

Mr. Fung garnered international attention as laureate of the Queen Elisabeth International Music Competition in Brussels and the Arthur Rubinstein Piano International Masters Competition in Tel Aviv, where he was further distinguished by the Chamber Music and Mozart Prizes.

He is the first piano graduate of the Colburn Conservatory in Los Angeles, where he studied with John Perry, and later worked with Peter Frankl, Claude Frank and Arie Vardi at Yale University and the Hannover Hochschüle. Mr. Fung is a curator at the Chan Center for the Performing Arts in Vancouver and serves on the faculties of the Manhattan School of Music and the University of British Columbia. Mr. Fung is a Steinway Artist.