
Sudan Archives
Described as “the violin’s domme” by The New Yorker, Sudan doesn’t just play the violin—she commands it, looping riffs into whole orchestras, flipping classical training into raw, radiant funk.
Thursday, March 19 at 7:30pm
Reynolds Industries Theater
Presented by Duke Arts Presents
“a musician of chameleonic skill, equally at ease with the dusky Americana of a T Bone Burnett production as he is with the scrabbling provocations of John Zorn”
The New York Times
“a guitar original — someone who crosses genres to create good music”
NPR
Marc Ribot will perform re-interpretations and re-framings of Bob Dylan’s mid 1960s-era visionary poetry, the poetic environment from which Dylan’s work emerged, and the visionary poetry/music emerging after from it, including settings of pieces by Allen Ginsberg, Alice Notley, Richard Siken, W.H. Auden, and others. He will be accompanied by friend and longtime Ceramic Dog band-mate Shahzad Ismaily on drums, Bass, guitar, pump organ, and whatever else is there.
Expect music that rocks, improvisation, re-interpretation of the familiar, and familiarization of the strange, free jazz, ranting, crooning, shouting, and skronk from a guitarist who has recorded with Tom Waits, Elvis Costello, Marriane Faithful, Laurie Anderson, Diana Krall, Henry Grimes, McCoy Tyner, the Lounge Lizards, Arto Lindsay, and many others.
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Single Tickets Available Tuesday, June 17.
Described as “the violin’s domme” by The New Yorker, Sudan doesn’t just play the violin—she commands it, looping riffs into whole orchestras, flipping classical training into raw, radiant funk.
Dambudzo is a live anti-genre work by acclaimed choreographer nora chipaumire, combining sound, painting, sculpture and performance to confront colonial legacies.
Academy Award winner Morgan Freeman fuses the raw, aching power of authentic Delta Blues with the expansive sound of a chamber orchestra.
Percussion innovators Tyshawn Sorey and Sandbox Percussion celebrate the centenary of legendary drummer, composer, and innovator Max Roach with original arrangements and compositions inspired by Roach’s revolutionary ensemble, M’Boom.
Taylor Mac takes on the holidays to celebrate the season in all its dysfunction. “For all those who find caroling, eggnog and enforced family visits destabilizing” (Los Angeles Times)
Led by Troy Anthony, “The Revival: It Is Our Duty” blends gospel, ritual, and joy—inviting all into a healing celebration of liberation, identity, and transformation.
An ensemble of Native and Indigenous jazz musicians led by vocalist Julia Keefe, celebrating the genre’s deep Indigenous roots with standards and contemporary songs.
Ephrat Asherie collaborates with Grammy award-winning pianist and composer Arturo O’Farrill on the company’s newest creation, Shadow Cities, a reflection on the beauty, vastness and joy of the in-between.
John Scofield’s Trio blends original jazz, standards, and surprising covers in an energetic, intuitive live format.