Salix Piano Trio
Named for the weeping willow, Salix Piano Trio shapes Mozart, Brahms, Higdon, Bridge, and Shostakovich into a vivid arc where elegance and intensity meet “fiercely intelligent playing” (The Washington Post).
November 8, 2025
Baldwin Auditorium
Presented by Duke Arts Presents

“I only wish there were more concerts that have this kind of powerful archetypal story to share… An experience that few of us will ever forget.”
Susan Martin, presenter Gualala Arts Center
“From beginning to end, the playing sounded intelligent and sure”
The New York Times
Join Duke University’s resident Ciompi Quartet for Dvořák in America—a wide-ranging multimedia concert exploring the influence of Black and Indigenous musical traditions on composer Antonín Dvořák during his time in the United States. This compelling program interweaves selected movements from Dvořák’s beloved “American” Quartet and Quintet with original Native American melodies and African American Spirituals, creating a powerful blend of music, history, and heritage as it entertains, educates, and inspires.
Antonin Dvořák: String Quartet in F Major, Op. 96 American
Antonin Dvořák: String Quintet in E-Flat Major, Op. 97 American
R. Carlos Nakai: Original Melodies arranged for Native Flute, Percussion and Strings
Traditional African American Spirituals arranged by Harry Burleigh
Kenneth Kellogg, bass
R. Carlos Nakai, Native flute
Will Clipman, world percussion
Pamela Freund-Striplen: curator/narrator/violist
The Ciompi Quartet
Eric Pritchard, Violin
Hsiao-mei Ku, Violin
Jonathan Bagg, Viola
Caroline Stinson, Cello
Since its founding in 1965 by the renowned Italian violinist Giorgio Ciompi, the Ciompi Quartet of Duke University has delighted audiences and impressed critics around the world. In a career that spans five continents and includes many hundreds of concerts, the Ciompi Quartet has developed a reputation for performances of real intelligence and musical sophistication, with a warm, unified sound that allows each player’s individual voice to emerge.
In recent years, the Ciompi Quartet has performed across the U.S. from Washington State to California, Texas, New York, Washington DC and New England, and abroad from China and Taiwan to France, Italy, Germany, Austria, the Czech Republic, Serbia and Albania. In June 2024 the Quartet performed in Vienna at a celebration of that composer’s 150th anniversary sponsored by the Arnold Schoenberg Center. The Quartet has performed at the Great Lakes Chamber Music Festival in Detroit, North Carolina’s Eastern Music Festival and Highlands Chamber Music Festival, and at Monadnock Music in New Hampshire.
The Ciompi Quartet’s commitment to creative programming often mixes the old and the brand new in exciting ways. Most recently, the quartet engaged composers Alan Chan and Andrew Waggoner to write new works for string quartet and pipa, in a collaboration with pipa player Min Xiao-Fen called “An American in Shanghai: Forgotten Stories.”
Its extensive catalog of commissions includes many that the group continues to perform on tour. Close ties to composers such as Paul Schoenfield, Stephen Jaffe, Scott Lindroth, and Melinda Wagner have produced important contributions to the repertoire; the quartet recently premiered Stephen Jaffe’s Third String Quartet and two new quintets by Lindroth: “Schley Road” for quartet and saxophone, and his Cello Quintet. A recording of recent commissions will appear on the New Focus label in 2025. Other recent recordings are on Toccata Classics (a quartet by 19th century violin virtuoso Heinrich Ernst), and Naxos, which released “Journey to the West” by Chiayu Hsu; also on Naxos online is a recording of the quartets of Paul Schoenfield, including the popular “Tales from Chelm.” Numerous other discs are on the CRI, Arabesque, Albany, Gasparo, and Sheffield Lab labels.
All the Ciompi Quartet members are Professors at Duke, where they lead the string studios and chamber music program and perform across campus in traditional and non-traditional venues.
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Named for the weeping willow, Salix Piano Trio shapes Mozart, Brahms, Higdon, Bridge, and Shostakovich into a vivid arc where elegance and intensity meet “fiercely intelligent playing” (The Washington Post).
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A self-conducted ensemble redefining classical performance, Sphinx Virtuosi blends Stravinsky, Ravel, and Roberto Sierra with new works in a program shaped by the sounds and stories of America.
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