
Rachel Barton Pine with Gilles Vonsattel, piano
All Brahms Program: Sonata #1, G Major, Op. 78; Sonata #5, E-flat Major, Op. 120, #2; and Sonata #3, D minor, Op. 108
Saturday, November 8 at 2:00pm
Baldwin Auditorium
Presented by Duke Arts Presents
“I only wish there were more concerts that have this kind of powerful archetypal story to share… An experience that few of us will ever forget.”
Susan Martin, presenter Gualala Arts Center
“From beginning to end, the playing sounded intelligent and sure”
The New York Times
Join Duke University’s resident Ciompi Quartet for Cultural Crossroads: Dvořák in America—a free multimedia concert exploring the influence of Black and Indigenous musical traditions on composer Antonín Dvořák during his time in the United States. This compelling program interweaves Dvořák’s beloved “American” Quartet and Quintet with original Native American melodies, African American Spirituals, and works by Florence Price, creating a vivid tapestry of cultural exchange. Featuring acclaimed performers Kenneth Kellogg (bass), R. Carlos Nakai (Native flute), Will Clipman (world percussion), and curator/violist Pamela Freund-Striplen, the performance is enhanced by evocative short videos and images. A powerful blend of music, history, and heritage, Cultural Crossroads entertains, educates, and inspires.
Kenneth Kellogg, bass
R. Carlos Nakai, Native flute
Will Clipman, world percussion
The Ciompi Quartet
Pamela Freund-Striplen: curator/narrator/violist
Eric Pritchard, Violin
Hsiao-mei Ku, Violin
Jonathan Bagg, Viola
Caroline Stinson, Cello
Since its founding in 1965 by the renowned Italian violinist Giorgio Ciompi, the Ciompi Quartet of Duke University has delighted audiences and impressed critics around the world. In a career that spans five continents and includes many hundreds of concerts, the Ciompi Quartet has developed a reputation for performances of real intelligence and musical sophistication, with a warm, unified sound that allows each player’s individual voice to emerge.
In recent years, the Ciompi Quartet has performed across the U.S. from Washington State to California, Texas, New York, Washington DC and New England, and abroad from China and Taiwan to France, Italy, Germany, Austria, the Czech Republic, Serbia and Albania. In June 2024 the Quartet performed in Vienna at a celebration of that composer’s 150th anniversary sponsored by the Arnold Schoenberg Center. The Quartet has performed at the Great Lakes Chamber Music Festival in Detroit, North Carolina’s Eastern Music Festival and Highlands Chamber Music Festival, and at Monadnock Music in New Hampshire.
The Ciompi Quartet’s commitment to creative programming often mixes the old and the brand new in exciting ways. Most recently, the quartet engaged composers Alan Chan and Andrew Waggoner to write new works for string quartet and pipa, in a collaboration with pipa player Min Xiao-Fen called “An American in Shanghai: Forgotten Stories.”
Its extensive catalog of commissions includes many that the group continues to perform on tour. Close ties to composers such as Paul Schoenfield, Stephen Jaffe, Scott Lindroth, and Melinda Wagner have produced important contributions to the repertoire; the quartet recently premiered Stephen Jaffe’s Third String Quartet and two new quintets by Lindroth: “Schley Road” for quartet and saxophone, and his Cello Quintet. A recording of recent commissions will appear on the New Focus label in 2025. Other recent recordings are on Toccata Classics (a quartet by 19th century violin virtuoso Heinrich Ernst), and Naxos, which released “Journey to the West” by Chiayu Hsu; also on Naxos online is a recording of the quartets of Paul Schoenfield, including the popular “Tales from Chelm.” Numerous other discs are on the CRI, Arabesque, Albany, Gasparo, and Sheffield Lab labels.
All the Ciompi Quartet members are Professors at Duke, where they lead the string studios and chamber music program and perform across campus in traditional and non-traditional venues.
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All Brahms Program: Sonata #1, G Major, Op. 78; Sonata #5, E-flat Major, Op. 120, #2; and Sonata #3, D minor, Op. 108
Program includes Schubert’s “Quartetsatz;” Mozart’s Viola Quintet, C Major, K. 515; and Dvorak’s String Quartet, G Major, Op. 106
Performing their program “The Passenger” with Louise Alenius’s Piano Trio (2025); Mieczyslaw Weinberg’s Piano Trio, OP. 24; Franz Schubert’s Piano Trio #2, E-flat Major, Op. 100
Presenting “Such Stuff as Dreams are Made On,” The King’s Singers bring the Romantic era to life with exquisite vocal works exploring love, nature, mystery, and the human spirit.
Pianist and composer Conrad Tao has been dubbed “the kind of musician who is shaping the future of classical music” by New York Magazine.
The artists originally scheduled on this date are no longer be able to appear on next season’s Chamber Arts Series. We are actively securing a replacement ensemble of comparable stature and will share updates as soon as we are able.
Performing their program “Masterworks” featuring Maurice Ravel’s “Le Tombeau de Couperin” arr. Raaf Hekkema; Omar Thomas’s “Moods and Attitudes;” Derrick Skye’s “A Soulful Nexus;” George Gershwin’s “An American in Paris” arr. Raaf Hekkema
Program includes Arriaga’s Quartet #3, E-flat Major; Shostakovich’s Quartet #3, F Major, Op. 73; Beethoven’s Quartet in B-flat Major, Op. 130 with the “Grosse Fugue”
Duke’s resident Ciompi Quartet revisits Memoirs, a 2003 composition by the late Paul Schoenfield. Works by Bach and Shubert round out the program.