Named for the weeping willow, Salix Piano Trio shapes Mozart, Brahms, Higdon, Bridge, and Shostakovich into a vivid arc where elegance and intensity meet “fiercely intelligent playing” (The Washington Post).

A standout from Sweden’s chamber scene, Camerata Nordica’s conductor-less octet dives into Mozart, Mendelssohn, and Shostakovich, performing from within the ensemble for a thrilling sense of collaboration and energy.

Three brothers and close collaborator, Veit Hertenstein, bring familial chemistry to Haydn, Ives, and Tchaikovsky, pushing each work to its limits with “extraordinary, frightening brilliance” (Bachtrack).

Two-time GRAMMY winners, Pacifica Quartet pairs Beethoven’s expansive Op. 130 with George Walker and Gabriela Lena Frank, placing bold contemporary voices alongside one of the repertoire’s most searching masterworks.

Inspired by M.C. Escher’s interplay of forms, the Escher Quartet joins pianist David Fung for Mozart, Schumann, and Korngold, music rich in dialogue, shifting between intimacy and concerto-like drama.

A self-conducted ensemble redefining classical performance, Sphinx Virtuosi blends Stravinsky, Ravel, and Roberto Sierra with new works in a program shaped by the sounds and stories of America.

Hailing from France, Quatuor Van Kuijk are BBC New Generation Artists and winners of the Wigmore Hall Competition. Their Duke Arts debut features Mozart’s “Dissonance” alongside Bartók and Brahms.

When Anthony McGill, principal clarinet of the New York Philharmonic, joins pianist and composer Conrad Tao, expect a program of striking range where lyricism and virtuosity meet contemporary sensibility.